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Trinidad Carnival Diary
Disclaimer: This blog is not intended to influence anyone to play with any one Carnival band over the other. Even though I may be privy to information from many sources this does not influence my views and opinions;the views expressed are solely mine.This is a place to come and get a little carnival info (how ah buy it is how ah selling it), look at some costume pics, "listen" to me talk about mas and occasionally vent or speak my mind.Use with caution!
Yet again fast on the heels of a fabulous event we had the privilege of attending TRIBE’s first All Inclusive BLISS. Well if heaven wasn’t jealous, we certainly were. Check out our review below
VENUE: Jamboree Park, Valsayn
PARKING: Valsayn North,
TRANSPORT: Within walking distance none required.
Our Carnivalscene crew arrived at 3:45pm just before the start of the party. Jamboree park was transformed into a very ethereal venue, well in keeping with the theme of BLISS. Greeted by ‘Moko Jumbies’, patrons (who were there promptly at 4pm) were ushered down a walkway (after using the ecard, first time in a carnival fete in T&T) enclosed by white cloth and filled with a white mist, to be greeted by the lovely Digicel female angels who presented them with a Digicel ‘rag’ as a memento.
Upon entering to our left, we were pleasantly surprised by the wide variety of food provided by the BLISS committee, all very professionally and meticulously laid out. One booth for special mention would be the fruit booth, with its wide assortment of delectable fruity delites; strawberry, watermelons, grapes, pineapple, portugal and many more, great idea for masqueraders watching their weight. All in all though, it has to be said that the variety and amount of food provided was positively heavenly or sinful depending on whether you were already able to fit into your costume or not.
Again we saw the Fresh Zone booths at the entrance to the restroom area. A great hit with the patrons (this reviewer especially enjoyed the hand massager, marvelous..!!). As in previous fetes, the restroom area was kept meticulously clean, this seems to be a trend in the All Inclusives this year, keep up the good work.
I have definitely kept the best for last. Very nice job by the couple playing the harp and the violin over that loud music (and yes they were playing not faking it..!!). An Ice Sculptor made a very exquisite ice glass for the cans of Red Bull to reside in (on speaking with the Red Bull representative, patrons were supposed to be served some concoction from the glass, but it had a hole L). When I thought there would be nothing else I saw the Ice Sculptor on a platform carving an ice angel surrounded by what can only be described as angels (too bad TRIBE isn’t playing ‘Heaven’ cause that costume was very nice). These lovely ‘angels’ were circulating in the party, generally mingling with us lesser mortals J and having a good time.
ENTERTAINMENT:
DJ playhouse started the fete nice and easy, bringing up the pace according to the amount of people in the fete and the amount of alcohol consumed by the patrons. When, the sun set, enter HI Fidelity and Less Than Zero, pressure !! Their specific purpose was to whip the crowd into a frenzy (mission accomplished). Rest, drink, eat…..while Xtatik setup on the stage, Finally, the Prince of Soca, Machel Montano entered the stage and as usual, delivered a very energetic performance, teasing the crowd to ‘heavenly’ heights. During his performance, he actually got assistance from a crowd member willing to demonstrate his latin salsa moves, while Machel sang a tune (completely in Spanish, well done Maestro), great performance from them both. Very soulfully, Machel sang acapella style, ‘We not giving up’, dedicating it to the TRIBE committee for a job well done. After that rendition, Machel proceeded to raise the energy level of the crowd, making them ecstatic with ‘heavenly joy’. Exit Machel, back on with the DJ who mellowed the ‘vibes’ of the fete giving patrons a chance to relax, eat some more food, drink more beverages. All playing while Atlantik setup for Destra. Onto the stage she came, with helium filled ballons being let off into the air (don’t think many people noticed and not very environmentally friendly L). As usual, Destra performed with great style and panache, letting the masqueraders know that she was in fine form for Carnival 2K6. Little hiccup, Destra introduced Maximus, who regrettable was nowhere to be seen. Not skipping a beat, she continued to perform carrying the crowd until 11:30pm.
Only negative for this fete was, nowhere to sit and eat, venue was a bit too small for that, maybe the TRIBE crew will revisit the use of Jamborree Park next year.
For a first time, this fete gets a ‘heavenly’ 8.0 out of a possible 10 stars


Carnival 2007 is well on its way, so much so almost all the popular mas bands have launchd their presentations. Among the main players still keeping the public in waiting is Brian MacFarlane with his presentation of India.
Last weekend saw main Band of the Year contenders, defending champion Trini Revellers and Legacy unveil their presentations, as well as Stephen Derek with a media launch at The Mas Camp Pub.
On October 14, Legacy launched Hiawatha at The Anchorage in Chaguaramas, with a huge crowd in attendance and, on Wednesday, Masquerade and Chris Humphrey showcased Golden Heritage—A Tribute to Mas at the Cruise Ship Complex.
Legacy’s Hiawatha is based on a native American Indian theme, Hiawatha being the title of an epic poem written in 1855 about a fictitious American Indian personage of the same name. The band will pay tribute not only to that civilisation but also to our local traditional Red Indian mas form.
The Legacy launch kicked off at the adjacent Tsunami Beach Club with a VIP/media reception. Walking through the entrance, which had been transformed into a wigwam, the specially-invited guests were greeted by a group of masqueraders dressed in authentic Indian costumes and presented with feathered necklaces.
Guests were treated to a complimentary premium bar and hors d’oeuvres in anticipation of the special showing of Legacy’s 2007 costume designs. A total of 22 sections were displayed, bearing catchy names like Apache Fire, Cherokee Trail, Laughing Water, Indian Summer, Seminole Nation and Soca Warriors.
Judging from the enthusiastic response, the audience was well-pleased with Legacy’s offering for 2007. The showing of costumes was repeated at the public event at The Anchorage with a similar show of appreciation from the large audience.
Of special note were the sections Pow Wow and Rainbow Dancers which were displayed by bodybuilders Richard Noel and Gabby Gonsalves and which elicited thunderous applause and screams of delight from patrons.
Legacy road music band Caribbean Traffik Jamm put on a high energy performance showing that they are more than ready for the upcoming Carnival season. During his performance, Iwer George paid tribute to bandleader Mike Antoine and the Legacy team and had patrons following his every direction as they partied into the early hours of Sunday morning.
The Masquerade/Humphrey media launch was also attended by a number of past and present bandleaders, and sponsors, the latter representing corporate citizens like Digicel, National Flour Mills and Ansa McAl Motors.
With special tribute paid to past Masquerade designer/leader Wayne Berkeley, who was in attendance, also at the launch, and receiving tokens for their contribution to mas, were Shane Lee Heung (son of Stephen and Elsie Lee Heung), Raoul Garib, and representatives of Irvin McWilliams, Lionel Jagassar, Stephen Derek, Peter Minshall, George Bailey and Edmond Hart. Other prominent people seen were Michael Headley, Donna Cox, Marita Laurent, Frank Martineau and Lennox Toussaint.
According to Masquerade co-designer Chris Santos: “Golden Heritage—A Tribute to Mas is a tribute to the creative minds and designs of the golden era of Carnivals past as we look back to the many memorable and prize-winning presentations of such greats as George Bailey, Harold Saldenah, Edmond Hart, Stephen Lee Heung, Wayne Berkeley, Irvin McWilliams, Raoul Garib and Peter Minshall, interpreting their creation with a modern twist.” Gregory Medina and Elwin Johnson are the other designers of Golden Heritage.
The Masquerade/Humphrey band will have its public launch on November 11, at The Anchorage.
Legacy’s Mas Camp on Carlos Street, Woodbrook, is open for registration daily from noon to 8 pm. Costume designs and registration information can also be obtained from their web site at http://www.legacycarnival.com






















It is going to be another epic of the grandest proportions to be presented by the Trini Revellers team.I did not add to my list of favourites the Royalty section by D Krewe, since I had said earlier that I really like their costumes. However, I think I should mention again that this is one of my favourites, and I was doubly pleased to see that they also included a full figured model wearing another version of the costume at the launch. Now this is a trend more band leaders should adopt in MY opinion, the young lady looks quite nice in her costume and masqueraders get to see what the whole suit/tankini option of the costume looks like on a realistic model:
Come Carnival Monday and Tuesday next year, Port-of-Spain will be flooded by 26 sections depicting various aspects of “The French Revolution,” that will surely captivate the attention of all witnessing the presentation, given the spectacle they created at the band launch at Pier 1 in Chaguaramas on Sunday.
Known for their winning presentations such as “Shanghai” and “The Gathering of the Tribes” before venturing in the big band category, Trini Revellers will be coming in full force to retain their title as Champion Band of the Year for a fourth consecutive year, having previously won the title with their 2004 to 2006 presentations “The Arabian Nights,” “Conquest of Indies” and “Rome - The Empire” respectively.
Indeed, “Le Roi Louis XVI” and “La Reine Marie Antoinette” will be coming to conquer the streets of Port- of-Spain with other sections portraying the “Royal Court,” “the Nobility,” the “Paysans,” the “Monarchy,” ‘the “Aristocrats,” “La Bastille,” the “French Soldiers,” the “Austrian Soldiers,” the “firing of the cannons, “Paris brule,” “September Massacres,” “Riots, the Reign of Terror,” the “Call to Battle,” and “Declaration of the Rights of Man.”
Fashion and culture of the Aristocracy will be felt in “The Masquerade Ball,” “Haute Couture,” “Les fêtes gallants de Versailles,” “ La vie de Marie An-toinette,” “Passion for Fashion” and “Liberté.” Even the Caribbean will be represented in “Les Antilles” and Trinité et Tobago.” It is a French band and the story will be told in French and English. The Tricolor will be flying high via Fraternité et Egalité and will end with “Vive La France.” It promises to be an experience to astonish the Trinidadian public.
Enrico Rajah, Public Relations Officer, is very ecstatic about the new presentation for Carnival 2007. Famous for their historical presentations, and with colourful designs by Geraldo Vieira Jr and Aaron Schneider, and led by two Kings of Carnival, Trini Revellers will unleash another historical spectacle on the streets of Port-of-Spain.
To achieve this remarkable presentation, Vieira Jr and Schneider are the main designers for 2007. Top Section Leaders include Deborah Bath-Gift, Wayne Newallo, Annie Jacques, Christine John, Tony Stanford, Gerald Moore and Gavin Alamani of D’Harvard Boys, Young Harvards with Stefan Stanford and Miguel Marquez, Dave Maharaj, Evelyn Herbert, Mike Johnson, Dexter Hosein/Ronald Clarke, Brennan King, Arlington Stewart, Curtis Atchinson, Joan Wilson, Roland St George and Richard Abraham, and Rabs Immortelle.
Dave Cameron and Jeff Gillette, the band producers are putting together the 2007 presentation with individuals such as Georgie Wilcox, Rudi Granger and Richard Commissiong, Jungle Fever, Friendz - Toronto, Raj/Ann Maharaj, Halcyann Prescott, Kyle Matas, Christine Sadler and Jason Jeremie who are joining the Revellers for the first time.


Carnival Centre comingNow I have seen the designs for this Carnival Centre, and while ambitious in it's concept I don't have much faith that the end product will be the same as what is on paper, just take look at the airport to see what I mean. For all the grand plans that were touted, the airport looks like a big warehouse. Apart from the futuristic design with retractable domed roof, ramped entry to the grand stage, enclosed seating for patrons and plans to house a Carnival library and archives I agree with the critics that there has been little thought of the practically of the Carnival Centre for it's intended use.
Clint Chan Tack Friday, October 20 2006
CULTURE and Community Development Minister Joan Yuille-Williams yesterday announced that construction of the new $450 million National Carnival Entertainment Centre, at Queen’s Park Savannah, Port-of-Spain, will begin before year’s end.
Speaking in the Senate Budget debate, Yuille-Williams said Opposition Senator Wade Mark was incorrect to say the centre will cost $700 million.
To those claiming the design of the new centre was flawed and had no local input, Yuille-Williams said this was not the case and the design has been deemed by a panel of international judges as the best in the Caribbean.
She dismissed Opposition claims of no funding for two academies of the performing arts that are to be built at the Princes Building Grounds in Port-of-Spain and Naparima Bowl, San Fernando. Stating that the former costs US$60 million (TT$378 million) and the latter costs US$40 million (TT$252 million), Yuille-Williams said Government has already worked out a loan arrangement with China to build these academies.
“So don’t complain about funds,” Yuille-Williams chided Mark.
She said funding for Pan Trinbago’s unfinished headquarters at Trincity was included in the last budget and the current one as well. The Minister explained that because the matter is in court, no work could proceed on it. However, she said the relevant papers have been sent to Attorney General John Jeremie and once she receives the green light from him, work will resume on that building. Yuille-Williams also denied reports that she told members of the Chutney Foundation to speak to Prime Minister Patrick Manning about funding and said the ministry does its best to address the concerns of all groups that approach it. Commenting on the contributions of Opposition senators Ato Boldon and Raziah Ahmed during the debate on Wednesday, Yuille-Williams assured them that no group is being marginalised. She also explained that it takes a multitude of interventions to address the concerns of many vulnerable groups.
Yuille-Williams defended the construction of the Brian Lara Stadium in Tarouba, saying that the country has been crying out for sporting facilities and now that Government has the resources at its disposal it would address this matter. She reminded Boldon that the stadium is only a small part of what will be a massive sport and education complex which could be used by locals as well as foreigners. Recalling the numerous visits he made to schools as part of a joint initiative of the Ministries of Education and Sport, Yuille-Williams urged Boldon to continue to be “part of the solution.”
"Our band is comprised of 9 youths (ranging between the ages of
17 to 25 years) and 8 senior members. We once were known as Showcase and
Associates some years ago however, times have changed and the senior
members decided it was time to pass on reigns to a younger more vibrant group of
individuals. We thus changed the name to Saphyre as Showcase is or was
a band of the past and we the youths are now in control with the senior
members guiding us.
Our camp is located at 118 Oxford Street Port of Spain (Between
Frederick and Pembroke Streets upper Port of Spain) and we are opened between the hours of 9am to 10pm Monday to Saturday.
Contact Carlene Greaves 678-7349,Colin Greaves 779-7075 or Aleema Ranjisingh at 732-7825 for more information."








Hello folks,As usual you can click on these photographs to get a larger view of the costumes:
Here’s a preview of KOZKELLE’S costume LES ARISTOCRATES, in Trini Revellers ‘07 presentation, The French Revolution.
As you can see we have several variations to the costume, designed to suit all moods.
We will be at our own mas camp at 177 Tragerete Rd, corner of Pole Carew St, just before Roxy, from November 3rd.
To our foreign supporters, please feel free to email me with any questions that you may have.
To our locals, you can email or call me at the #s below
As always , see you on on the road and thanks for supporting us.
DonMarie
868-667-5128
868-766-6336
donmarierev@hotmail.com








Carnival costumes need a new look
BY CORDIELLE STREET
I have been patient with mas in T&T as few people have, but after waiting out approximately five band launches in a handful of weeks there is nothing left to do but sigh.
Having given up on masquerading quite some years ago, and I fully confess this mainly as a disclaimer for the ranting which will come, how impressionable and hopeful I remain still shocks this cynical heart.
I also find it necessary, unlike most women, to willingly put a figure to my age (but with a dash of reserve) only to emphasis the point that I am not a doddering masquerader unable to keep pace with the younguns.
With my twenty-something eyes and apparently aged spirit I perused the pre-offerings of Carnival 2007 and ask—Mas where have you gone?
For many beads and bikinis as most costumes are nowadays referred are the height of mockery for a festival that began itself as a mocking rebellion to our colonial rulers.
Yet, I have always given ear to the argument laid by staunch defenders of new bandleaders that they are giving the masses what they want.
Young women who fanatically diet and cram exercise bouts around district savannahs and exercise gyms into the two-month race to Carnival, do not plan on burying their sexy bodies under yards of cloth and pantaloons.
Fine, but what does that have to do with creativity?
And here comes the rant. What many young bandleaders today have not practised, and older bandleaders of yesteryear clearly have failed to pass on, is the absolute notion that Carnival is the pinnacle of creativity.
And all who have become legion to the festival must be worshippers at its altar.
Knock me if you like but it’s a criticism that I extend to all sectors that culminate at Carnival—so Pan Trinbago; Trinbago Unified Calypso Organisation (Tuco); National Soca Monarch competitors; National Carnival Bands Association (NCBA); National Carnival Development Fund (NCDF); and, National Carnival Commission (NCC), please take your share of the licks.
But, as I begin with mas I will stick with mas and forward the argument that the most devastating virtue we have imported from Brazil is not the skimpy bras, lowering brocade lines on bottom pieces or the staple thong costume that proves a constant problem for full-figured women.
We have taken to heart the redundancy of a festival meant to showcase Latin dancers and their dance schools and introduced it into a festival borne out of the blood, sweat and tears of freed slaves and the utter disdain of nonconformists.
What has mas become? Where are the portrayals? Where is the tongue in cheek mimicry of our hypocritical society? Where is the ingenuous play on fantasy worlds, fallen empires and such?
Where are the mas-queraders?
Now I’m not picking on the Tribes, the Island Peoples, the Pulse8s, Dream Teams, the Legacies and their ilk, fortunately for them I’ll not make a dent in their registrations as the masses continue to flock, fight and cry to get into their bands.
But, other long time mas men aren’t, doing much better by avoiding the beads and bikinis, just to fall into the trap of recycling past and often outdated ideas.
Neither am I being paid by traditionalists to tout the purity of ole time mas.
All I am crying for is a ceasing of the bastardisation of mas with portrayals of bikini-clad pierrot grenades, aimless but sexy wild Indians, token head pieces of feathers and shimmering cloth supposedly to represent Bedouin tribes in the Sahara and cocktail girls to serve who exactly?
Or we can continue with the “tiefing of meh costume from last year.”
Let’s start with a fresh idea in an ageless festival in the spirit of rebellion and I’m sure even beads and bikinis can be fashioned into an expression of creativity.
Is that just too much to ask? Somehow I believe it is.
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