"Don't ever feel compelled to supply ignorant people with an explanation!"
Thanks for your words Melanese!
Trinidad Carnival Diary
Disclaimer: This blog is not intended to influence anyone to play with any one Carnival band over the other. Even though I may be privy to information from many sources this does not influence my views and opinions;the views expressed are solely mine.This is a place to come and get a little carnival info (how ah buy it is how ah selling it), look at some costume pics, "listen" to me talk about mas and occasionally vent or speak my mind.Use with caution!
Kerryann said...
Chris, I thought I was the only person that noticed.
I'm sorry but the 2 women that Wyatt was taking pictures of on carnival Monday were the only two that made up IP? I like looking at beautiful women too because they inspire me to look good but you know what, beautiful women come in all shapes and sizes and COLORS. Clearly he has a preference in what he thinks is beautiful but my gosh.....give us some variety.
'I don’t know of any
bandleader who has
become a millionaire
out of it. We are all struggling like
anybody else.’
—Big Mike Antoine, Legacy bandleader/designer
Mama, dis is business!SOURCE and CREDIT: www.trinidadexpress.com
In the 2008 edition of Trinidad Carnival, some of the popular mas bands will gross in excess of $10 million
Sunday, January 27th 2008
KLENWORTH JONES, a journalism student at COSTAATT, looks into the books of the men who make mas.
Carnival comes with a price tag that changes for the better or for the worse-depending on whether you are consumer or producer-every year.
In the 2008 edition of Trinidad Carnival, some of the popular mas bands will gross in excess of $10 million. It is a moot question how much of this is profit and whether or not the taxman knows the answer to this question. What, however, is not in dispute is that for some individuals, mas has become a multi-million-dollar enterprise. The average cost of a costume for a female masquerader is approximately $3,200 whereas for male masqueraders the figure is in the region of $2,600. When one considers that the top-end bands can have in excess of 3,500 members and, that apart from the proceeds from the sale of costumes, there are multiple streams of revenue flowing into the bands, the picture becomes clear. Profit maximisation, one sees, is the name of the mas game.
Some popular mas bands now offer complete packages for their members, which typically include meals and snacks, air-conditioned rest and relaxation buses, all the alcohol that you can drink along with your costume. On its website, one of them, Tribe, describes its focus as "providing the ultimate Carnival experience for masqueraders by producing a superior product."
A number of bands now use the medium of the Internet to advertise their costume designs and register masqueraders as well as to sell their concept of the mas experience. Here is a listing of what two of the popular bands, Tribe and Island People, offer in their all-inclusive packages.
THE TRIBE EXPERIENCE
- Fully-stocked premium bars with unlimited supplies of ice-cold alcoholic and non-alcoholic drinks
- A variety of food (breakfast, lunch, snacks, dessert)
- Private security team
- Complimentary shuttle service to the band (for latecomers)
- Goody bag (Carnival essentials and souvenirs)
- Tribe 'cool-zones'
- On-site paramedic team & ambulance
- Mobile restrooms
- Roaming photographers and, of course,
- a costume!
THE ISLAND PEOPLE EXPERIENCE
- Breakfast on Tuesday, lunch, munchies, finger foods & cutters both days.
- Premium drinks and cocktails on custom-made bars strategically placed throughout the band.
- The security detail has been revamped and increased to provide a more comfortable environment for all masqueraders.
- LTB (Locate the band) Service
- Shuttle to the band-all day Monday and Tuesday.
- On Carnival Monday, the band will be departing from the Hasely Crawford Stadium at 10 a.m. and at 7 a.m. from Cipriani Boulevard on Carnival Tuesday.
- Sacha Headley and Food Express Ltd will be providing masqueraders with meals prepared so as to be tasty, lean and healthy.
- Unlimited drinks, unlimited fun, unlimited good times.
- Seven 40ft. trailer trucks powered by sound systems from the top DJ's in Trinidad and Tobago.
- Moving bathrooms with exceptional powder room service and amenities.
- Survivor packs / "goodie bag".
Other popular mas bands such as Trini Revellers, Legacy and even Rosalind Gabriel's children's band offer variations on the same theme, but nowhere does this new-dimension mas experience come cheap.
The real elements which factor into the production of a mas band will amaze you. What you see is definitely not what you get. No longer does the production of a Carnival band involve eager enthusiasts giving life to artistic expression in a make-shift shed in Woodbrook or East Port of Spain. It has developed into a very complex business enterprise. The management structure is complete with accounting; marketing and legal elements and the level of commercial sophistication required can rival or even surpass many traditional corporate entities.
It is useful to undertake here a more detailed examination of this developing phenomenon.
Management Structure
Traditionally, the mas band was controlled by a bandleader; names like George Bailey, Stephen Lee Heung, Peter Minshall and Raoul Garib come immediately to mind. Together with a group of designers, these men usually came up with a theme, conceptualised the mas, designed and constructed costumes and coordinated the activities of the mas camp until the wee hours of the morning in the pre-Carnival season. Today, the so-called "bandleader" is but a manager, a front man, a mere figurehead, the real driving force behind the band being the "band owner." The term is usually applied to a financier or group of financiers who hire a cadre of professionals to run the day-to-day affairs of the band. Let us hear what a member of the management committee of one of the big bands has to tell us.
The band, he says, is owned by a popular businessman, of Independence Square in Port of Spain. The band's management committee includes a bandleader, public relations officer and a team of designers. For this Carnival, the band will consist of 22 sections, down from 35 in 2007. The band itself will produce one section in 2008, the other 21 being franchised out to various section leaders who will each pay the owner a sum in the region of $70- $80,000 for the privilege. According to our source, in the final cost to masqueraders are included the cost of inputs such as security, music (live bands and deejays), raw materials for costumes and cost of design and labour, all of which are very high. Inevitably, the cost of "a costume" is adjusted to reflect these expenses.
Traditional-style band management is also very much alive but is seen mainly among the medium and small bands. Very much in the mould of his mentor Minshall, Brian McFarlane continues to be very heavily involved in the creation, design and management of the current holders of the Large Band of the Year title although a committee is charged with the logistics that precede the band's appearance on Carnival Monday. Among the successful traditionally organised bands, Trevor Wallace and Associates and The Kallicharrans from San Fernando are two of the names that stand out.
The reasons why traditional bandleaders hold on to the traditional Carnival arrangements are as varied as the people themselves. Those close to McFarlane say that the love of drama and the opportunity to tell a story through the medium of mas are what, in the main, drive him. This is not to say that there are no commercial considerations, but the mas product on Carnival days reflects the substance that the bandleader inputs.
Sources of income
Apart from the money generated by costume sales, there are multiple sources of income available to bands. A customer service representative for Island People Mas confirms that the band itself does not produce mas but that "independent contractors" pay a fee for the right to produce a section using the Island People brand. Usually, the general design is done by the band and the cost of inputs is borne by the franchisee but these arrangements are always negotiable. Written contracts spell out precisely the responsibilities of each party and detail a schedule for payments.
For Carnival 2008, the most expensive packages are from the band Tribe. Interestingly, the costumes were completely sold out in record time. The prices ranged from a low of $2,250 for a basic male costume to a high of $4,499 for a basic female costume. Add-on pieces such as wings or boys' shorts for women could increase the price by as much as $499 depending on the section.
For this Carnival , Island People Mas has a limit of 12 sections, each with a maximum of 300 members who will pay on average $3,200 for the experience. A quick calculation shows that in this year alone the organization will gross in excess of $10 million.
But masqueraders are not the only contributors to band income. The band owners also generate income from other sources. Both sources to whom the COSTAATT Star spoke concede that corporate sponsors contribute heavily to the major bands, in cash or kind. One of them explains that the management team of the band goes after companies to provide drinks, meals, music or cash in exchange for the display of their product or their name or both at band events or for exclusive association with the mas band.
On its website Island People Mas has listed its major sponsors in three categories, gold, silver and bronze. The lone Gold Sponsor is bmobile. Moneygram International Money Transfer stands alone as a Silver Sponsor while the Bronze Sponsors include Carib Brewery, makers of Stag beer; Angostura 1919 Premium Rum; Fernandes Black and Blue Waters. The list of major sponsors also includes some major corporate heavyweights, Telecommunications giants Cable and Wireless and Digicel, beverage distributors such as A.S.Bryden, Blue Waters, Coca Cola Ltdand S.M.Jaleel and Company Ltd.
Also featuring on the list are cloth stores Jimmy Aboud and Queensway. All these companies pay large sums to the band owner for the opportunity to be associated with the brand, not simply on the two Carnival days but also at all of their associated events.
Associated events represent a major source of income for the bands and more precisely, their owners. Over the years, the
associated events have become more sophisticated and their numbers have also increased. The packages offered and the way in which they are marketed reflect to a large extent the sophistication of the organisers.
The heavy input from sponsors and the huge patronage of these concept events have made them significant money spinners.The events can commence as early as July or August depending on the date of the next year's Carnival.
Private members only band launching, a public band launching and all-inclusive Carnival fetes are staged, with the brand featuring prominently. On its website Tribe Mas boasts that its 2007 ultra all-inclusive Carnival fete, Bliss, was the first large public event to use electronic tickets.
This new technology eliminates the scalpers, "stormers" and the producers of counterfeit tickets, ensuring that all or almost all of the profits are enjoyed by the producers of the event. The cost per ticket ranges between $300 and $700 and large contributions from major sponsors mean owners rake in sums in ranges that may surprise the taxman.
The multiple sources, of income that flow into the hands of popular mas bands have not entirely escaped the eye of the taxman. All the bands that are registered as business entities are required to pay corporate taxes. For those which gross in excess of $200,000 yearly, VAT registration is mandatory.
Bandleaders also pay full import duties and taxes on raw materials and imported pre-assembled costumes. In addition a public notice on the website of the Inland Revenue Division (IRD) strongly advises all bandleaders, music arrangers, disc jockeys, fetepromoters, calypso tent owners, landlords and caterers who intend to make in excess of $200,000 for the Carnival season to register with the Value Added Tax Division.
The Taxpayer Relations Department of the IRD outlines the procedure for accessing tax breaks for investments in cultural activities. The investor must be registered with and certified by the Culture Division of the Ministry of Community Development Culture And Gender Affairs. Approval of the investment is given and this approval of particular investments accompanies the tax return of the investor. The tax rebate is 150 per cent of the investment up to a maximum of $1 million.
The items that qualify for this tax relief are determined by the Culture Division. A call to this government agency revealed that cassettes, DVDs and music CDs from local artistes receive a concession on import taxes and duties. The tax rebates on investments in cultural activities are limited to investments in the performing arts. Officials at the IRD confirm that these claims are being made but were unable to quantify the number of people who access this facility on an annual basis.
The export of Trinidad Carnival is by no means a new phenomenon. Carnival a la T&T has long since been exported to several of the large metropolitan cities of the Diaspora and Trinidad-style Carnivals are now held in Kingston, Jamaica on the Easter weekend; in Bridgetown, Barbados; in Notting Hill, New York, Miami and Toronto. There the Trini experience is reproduced on some usually reduced scale and, not surprisingly, all the big names, Tribemas, Trini Revellers and Legacy, keep reappearing. One suspects that once expansion of the local Carnival peaks -current economic buoyancy suggests later rather than sooner-the large bands that have mastered the business of carnival will turn their full attention to the expansion of the export market for the mas.
In the meantime, however, mas making in Trinidad remains a very profitable enterprise for the new breed of Carnival entrepreneur. Amid the buoyancy of the current economic conjuncture, people with money are making more of it in ways and on a scale that the average man on the street would have never considered possible. I guess one could say, using an expression that was once very popular with the man in the street that the money men are making a small mas with the mas.
Mike “Big Mike” Antoine of Legacy; Dean Akin of TRIBE; Earl Patterson of Masquerade; Ian McKenzie of Genesis; Paul Sing of DreamTeam; Roland St George of D Krewe; Stephen Derek of D’ Midas; NCBA secretary Renwrick Brown of Stampede; and Trevor Wallace of Trevor Wallace and Associate
C2K8 launch raises questions
by Wayne Bowman wbowman@trinidadexpress.com
Thursday, December 20th 2007
National Carnival Commission chairman Keston Nancoo made a dash for the exit in an attempt to evade questions from the media, as did Community Development, Culture and Gender Affairs Minister, Marlene McDonald, following yesterday's launch of Carnival 2008 at the Hilton Trinidad in St Ann's.
The question-and-answer segment, which followed a long-winded NCC public relations exercise masked as a media conference, was over after only two questions from reporters.
And still, only one question received a credible answer from Acting Deputy Police Commissioner Gilbert Reyes, who responded on what assurances he could give that there would be no police brutality upon members of the public during Carnival, as well as what measures would be put in place to ensure that plainclothes officers properly identify themselves before taking action.
Reyes said his officers would be out in full force from February 1 to ensure citizens' safety for the Carnival period.
Nancoo failed to provide satisfactory answers to questions on the challenges of switching from the original plans for C2K8 to the new one that was presented, as well as why the Panorama final was being held at Skinner Park, San Fernando, although the majority of panmen, including some from the South/ Central region, are in opposition to returning to that venue on Carnival Saturday.
Nancoo responded by saying that people need to exercise maturity in such situations, adding that it was Pan Trinbago that chose to return to Skinner Park and that the NCC was only facilitating the organisation's request. Asked how come neither Pan Trinbago president Patrick Arnold nor any other representatives of the pan body were present for the launch, Nancoo called for the launch to be ended and headed straight for the exit, alongside McDonald.
Arnold was, in fact, on the ferry heading for Tobago at the time of the launch, and no other member of the Pan Trinbago executive had been scheduled to attend. Trinbago Unified Calypsonians Organisation president Michael "Protector" Leggerton was also notably absent.
Although the National Carnival Development Foundation has the majority of large bands in its membership, it was also represented at the launch, during which time the route for the Parade of the bands was revealed.
In her address, McDonald reminded the nation that in spite of their close proximity this time around, Christmas comes before Carnival and she admonished that the two festivals must be kept apart and people, "remain loyal to the traditional Christmas practices that can't be dislodged".
She called on the nation to enjoy the parang and religious celebrations of Christmas before getting started with Carnival.
In the same turn, McDonald said that because of the closeness of the two seasons, as well as the fact that everyone's focus a few weeks ago was the general election, time is of the essence and the Culture Ministry must play catch-up to have everything ready in time for C2K8.
"We will fearlessly confront the challenges and make use of the opportunities created in Carnival 2007," McDonald said, adding that the Ministry and NCC will build and improve on the present foundation as the nation moves towards realising Vision 2020.
Carnival stays on the road for '08
Kristy Ramnarine kramnarine@trinidadexpress.com
Monday, December 3rd 2007
The Parade of the Bands will remain on the road for Carnival 2008, National Carnival Commission (NCC) Chairman Keston Nancoo made clear yesterday.
He was speaking to reporters after taking newly appointed Minister of Community Development, Culture and Gender Affairs Marlene McDonald, Minister of State in the Ministry Donna Cox and Parliamentary Secretary in the Ministry Junia Regrello on a tour of the southeastern end of the Queen's Park Savannah which will be used for the Carnival.
"For 2008 it will again be 'Mas on the Road,' a format that came in for high praise from bandleader after testing it at this year's celebrations," Nancoo said.
He added that all major pre-Carnival shows normally staged in Port of Spain (including the King and Queen of Carnival competition) will, however, be presented at the facility currently being constructed on the south-eastern end of the Savannah.
"A decision will have to be made later on this week as it relates to the Panorama finals," he said.
Panmen have been complaining about the high cost of going to Skinner Park, San Fernando for the competition, which was staged there last year.
'I don’t know of any
bandleader who has
become a millionaire
out of it. We are all struggling like
anybody else.’
—Big Mike Antoine, Legacy bandleader/designer
“personally am fed up of witnessing tires wrapped around people's stomachs first ting on Tuesday morning, and cellulite talking to me when some heavy duty woman winin in front of me.”(sic).
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